Kyber Cypher Plain English edition
Text size Back to the full site
Two turntables and a mixer with a record sleeve, standing for DJ equipment judged from real use.

DJ gear and software, from behind the decks

What you will find here

  • Twenty five pieces of DJ software and equipment, each with its real drawback named
  • The one rule that decides everything: does it survive a real night
  • Which one is genuinely free, and why the rest are not

This is the DJ side of the site, written by someone who has actually stood behind the decks. A cypher is a circle where people trade skills, and that is the spirit here: the honest view of the software and equipment a working DJ really uses.

The one rule that matters

Reliability, and being able to take your music collection with you, beat a longer list of features every single time.

A setup that keeps playing through a crashed laptop, a dead cable or an unfamiliar booth is worth more than one with more buttons. So the two questions asked of everything below are: does it hold up when something breaks, and can you leave and take your collection with you.

Own your music, keep a backup, and stay off any leash you cannot cut.

One of the programs below is genuinely free and open, meaning anyone can use it and change it without paying. The rest cost money, because DJ equipment does, and this page is not going to pretend otherwise. Nothing here is sponsored and there are no affiliate links.

The software

rekordbox

The program that organises your music for the Pioneer world, and the one whose USB sticks the equipment in most clubs expects to be handed.

Best for: anyone playing in clubs, where preparing a rekordbox USB stick is simply how it is done. Very strong at organising and preparing a collection.

The catch: it pushes you towards a monthly subscription for the useful parts, the free version is thin, and it is happiest when everything you own is from the same family. Comfortable if you live in that world, a leash if you do not.

Find it at rekordbox.com

Serato DJ Pro

The other industry standard, with deep roots in scratching, hip hop and playing across many genres in one night.

Best for: DJs using a controller, turntablists, and anyone playing across styles. It works with an enormous range of equipment and has a rock solid live reputation.

The catch: some features cost extra on top, and it is built for performing rather than for organising, so many people pair it with a second program to keep the collection tidy.

Find it at serato.com

VirtualDJ

The everything-in-one-box option, with a very large user base, video, and the ability to split a track into its separate instruments.

Best for: mobile and wedding DJs, video DJs, and anyone who wants every feature under one roof. There is a free version if you are not using a controller.

The catch: the sheer number of features can be overwhelming, it carries a reputation among club and battle DJs of not being taken seriously, and using a controller needs a paid licence.

Find it at virtualdj.com

Algoriddim djay Pro

A slick modern program, strong at splitting tracks into separate instruments and at playing music from streaming services.

Best for: DJs on Apple computers or tablets who want those features without a heavy setup.

The catch: it leans on a subscription, it works best inside Apple's world, and it supports less equipment than Serato or rekordbox.

Find it at algoriddim.com

Engine DJ

The software behind Denon's players, built so your collection can run without a laptop in the booth at all.

Best for: DJs using Denon equipment who want to play without a laptop.

The catch: it is tied to Denon's own family of products, there are fewer controller options, and it has had more rough edges than the longer established names.

Find it at enginedj.com

Traktor Pro 4

The heavyweight for effects and for rearranging tracks live, long loved in techno and electronic music.

Best for: electronic and techno DJs and remixers who live on effects and on rebuilding tracks on the fly.

The catch: the range of equipment that works with it, and its share of attention, have shrunk against the two big names. It leans towards one particular style, and some feel its makers' focus on DJing has wavered.

Find it at native-instruments.com

Mixxx

The one genuinely free and open program here, and a real tool rather than a toy. It runs on Windows, Mac and Linux.

Best for: DJs who want to own their software outright and never pay or subscribe, people learning, and anyone who takes the free and open idea seriously.

The catch: it is built by volunteers, so the final polish, the official equipment support and the hand holding trail the paid options. Some controllers rely on settings contributed by other users. You trade a little convenience for owning the whole thing.

Find it at mixxx.org

djay, on a phone or tablet

The strongest phone and tablet DJ app, which turns a tablet into a surprisingly capable setup.

Best for: practising or playing from a phone or tablet, travelling, and casual sets where carrying equipment makes no sense.

The catch: being built for phones first means it is not the tool for a serious club booth, it runs on a subscription, and you depend on the streaming services' terms and the platform's rules.

Find it at algoriddim.com

Lexicon

A program whose only job is tidying up your music collection and moving it between the big platforms.

Best for: DJs with large messy collections who change software or equipment and want their carefully built playlists to come with them. This is the portability the whole page is about.

The catch: it is a paid tool that does one job. It organises your music, it does not play it, so it is another subscription alongside your actual DJ software.

Find it at lexicondj.com

Mixed In Key

The long standing tool for working out the musical key and energy of your tracks, so they can be mixed in an order that sounds right together.

Best for: DJs who plan sets by key and energy and want that worked out cleanly in advance.

The catch: it is a preparation tool, not a DJ program. Mixing by key can become a crutch, and much of what it does is now built into the big programs, so you may already have it.

Find it at mixedinkey.com


The equipment

Two kinds of machine

A controller is a set of physical decks and knobs that needs a laptop to actually do the work. A standalone unit has the computer built in, so it plays without a laptop at all. Controllers cost less; standalone units mean one less thing to crash.

AlphaTheta DDJ-FLX10

A top of the range four deck controller that speaks to both of the big programs and can split tracks into instruments in the hardware itself.

Best for: a serious controller DJ who wants one excellent laptop setup that works across both major platforms.

The catch: it needs a laptop, it is large and expensive, and leaning on the instrument splitting can hide sloppy mixing if you let it.

Find it at alphatheta.com

Denon DJ Prime 4+

A four deck all-in-one with a large screen and no laptop required.

Best for: DJs who want a club style setup with four channels in one unit and no laptop.

The catch: heavy and expensive, tied to Denon's own software family, and being standalone means any software quirk cannot simply be patched from a laptop halfway through a set.

Find it at denondj.com

AlphaTheta XDJ-AZ

An all-in-one that needs no laptop while staying friendly with the equipment you will actually meet in clubs.

Best for: DJs who want a laptop-free setup that still matches the way club equipment works.

The catch: standalone means you are tied to its screen and its built-in software, and you pay a premium for the convenience.

Find it at alphatheta.com

Rane Performer

A four channel controller from the battle and scratching lineage, built around Serato.

Best for: DJs playing across genres and scratch DJs who want Rane's build quality with four channels.

The catch: it needs a laptop, it is a serious investment, and it is most at home in the Serato world.

Find it at rane.com

AlphaTheta DDJ-FLX4

The popular entry level two channel controller, and the cheap honest way in.

Best for: beginners and casual DJs who want a legitimate first controller that works with the real software rather than a toy.

The catch: it is entry level, with smaller wheels and a lighter build, so you may outgrow it. It needs a laptop or a phone to run.

Find it at alphatheta.com

Rane Four

A Serato controller from Rane built around splitting tracks into instruments, with the build quality the name suggests.

Best for: DJs who want Rane hardware together with a modern instrument splitting workflow in one unit.

The catch: expensive, centred on Serato, needs a laptop, and its features aim at one particular performing style.

Find it at rane.com

Rane System One

A scratching focused setup carrying Rane's battle heritage.

Best for: turntablists and battle DJs who want that heritage in a purpose built system.

The catch: it is specialised, expensive, and built for scratching first. It is not a general club or mobile setup.

Find it at rane.com

Pioneer DJ CDJ-3000 and DJM-A9

The players and mixer that most professional club booths are actually built around.

Best for: DJs who need to be completely fluent on the exact equipment already installed in real clubs, so you can walk up anywhere and play.

The catch: brutally expensive, it is several separate pieces rather than one box, and it ties you to the Pioneer way of working that runs the club world.

Find it at pioneerdj.com

Denon SC6000 and SC6000M with X1850

Denon's separate players and mixer, the main rival to the Pioneer setup above.

Best for: DJs who want a club style separates setup without the Pioneer price, playing without a laptop.

The catch: fewer clubs have it installed, so you may still need to be fluent on the Pioneer equipment anyway. It is a large, expensive set of separate pieces tied to Denon's software.

Find it at denondj.com

Traktor Kontrol S4 MK3

A four channel controller built for Traktor, with wheels that push back against your hand.

Best for: Traktor DJs, especially in electronic styles, who want a controller designed for that program.

The catch: tied to Traktor's shrinking world, it needs a laptop, and it is getting old in the range.

Find it at native-instruments.com

Numark Mixstream Pro Go

A battery powered all-in-one with streaming built in, made to be picked up and carried.

Best for: mobile and casual DJs who want a self contained battery unit for playing somewhere there is no power.

The catch: it is built to a price, with smaller wheels and a lighter feel. Streaming depends on the service's terms and on having a connection, and it is not a serious club machine.

Find it at numark.com

AlphaTheta Omnis-Duo

A portable battery powered standalone unit, the premium take-anywhere option.

Best for: DJs who want a high quality laptop-free unit they can play on a rooftop or a beach as easily as in a booth.

The catch: portability costs a premium, the compact layout is not a full booth, and running on a battery means planning around power.

Find it at alphatheta.com

Hercules DJControl Inpulse 500

A controller for beginners and improvers with learning features built in.

Best for: newer DJs who want guided practice, with help matching beats and tutorials built in.

The catch: the training features and mid-range build mean you will probably outgrow it, and like any controller it needs a laptop and software.

Find it at hercules.com

Allen and Heath Xone:96

A mixer with an analogue character, loved for how it sounds and for its filters.

Best for: DJs, especially in house and techno, who care about how the mixer itself sounds and want hands-on feel.

The catch: it is only a mixer, so you bring your own players. It is expensive, and it is far more than a casual setup needs.

Find it at allen-heath.com

Technics SL-1200 and SL-1210

The legendary turntable, and the reference every other one is measured against.

Best for: vinyl DJs and anyone who wants the definitive build and feel that clubs and battles were built on.

The catch: it plays vinyl and nothing else, so you supply the mixer and the records. The modern versions are expensive, and it is a commitment to doing things the vinyl way.

Find it at technics.com


More to come

This is the general launch. The detailed opinions on individual pieces, the ones earned in actual booths, arrive over time, one at a time.

The rule holds regardless: own your music, keep it backed up, and choose the thing that survives the night.

This page in the original Kyber Cypher voice: THE CYPHER